
by Rhett Flowers
This week’s Loris’ DEBUT at NOON is packed with brand-new music from artists pushing boundaries, bending genres, and redefining their sound. From Texas icons to rising voices and bold new collaborations, Loris is spinning tracks that deserve a spot on your playlist. Here’s what you heard on air this week.
The Lockhearts – Running Out of Road
If you’re a fan of soaring Texas-sized harmonies, Austin’s own The Lockhearts will be right up your alley. Paige and Kate, two sister’s that have been singing together their whole lives, shine here on their new single “Running Outta Road”. It’s a perfect song for traversing winding back roads in central Texas, and at the ages of 17 and 19 you can expect to hear a steady stream of music for years to come from the Lockhearts.
Calder Allen – Fault Lines
Calder Allen is the grandson of Texas music legend Terry Allen, and you can tell the craft of songwriting is deep in his blood by his new single “Fault Lines”. Produced by Charlie Sexton at Arlyn Studios in Austin, Calder’s raspy voice comes into form with some rollicking and fuzzy backup from his studio band. This single is the title track to the new album, which he describes as “a deeply personal and cinematic journey through love, loss, self-discovery, and the tension between resilience and fracture.”
Reid Bros. – Shiloh Road
“Shiloh Road” is the new single from Austin’s Reid Bros., which will be featured on the bands upcoming second album “Life of the Chosen One”. Reid Umstattd is the creative force and powerful voice behind this act, previously fronting the Austin band Nelo. His newest group showcases his vocal chops and is punctured with tasteful instrumentation from the band. Check out this live performance of “Shiloh Road” below.
Craig Marshall – Nothing But the Truth
Syracuse native, but now solid Austinite, Craig Marshall has been around the musical block. Fronting the long established band The Lucky Strikes since the early 90s, here he strikes out on his own on “Nothing but the Truth”. As evidenced by the cover photo wielding a racket as his instrument, its a playful and fun tune that harkens back to a sound Tom Petty was putting out in those same early 90s.




